Post #201 February 3, 2020
“Grabbing the Reader’s Attention Right
Away”
The first line or paragraph of your story are the
most critical words in the entire story.
Try out these memorable lines from famous works:
“Call me Ishmael.”
(Moby Dick)
“Lolita, light of my life, fire of my loins.” (Lolita)
“Happy families are all alike; every unhappy family
is unhappy in its own way.” (Anna Karenina)
“It was a bright cold day in April and the clocks
were striking thirteen.” (1984)
“It was the best of times, it was the worst of
times.” (A Tale of Two Cities)
First lines and paragraphs have numerous functions
but none are more important than grabbing the reader’s attention right away and
sucking them into the story. Here are some of the main purposes of a good first
line:
- Hook or intrigue the reader. The reader asks “What’s going on here?”
- Set the stage and tone of the story. Is it a mystery? A comedy? Action adventure?
- Build the foundations for later conflict. Who, what, when and where?
- Indicate who’s telling the story. Whose story is this?
In creating a memorable and riveting first line, ask
yourself this: what are you trying to achieve?
Is it suspense? A unique sense of
place? Are you trying to make a
philosophical point? Detail a character
attribute? Maybe the character is kind
or impulsive or happy-go-lucky. Show
this early on, in a first line or paragraph.
Here’s a first line from my sf short story “Second
Sun,” now available in my collection of short works called Elliptical
Galaxies:
“Not
everyone was happy about having a second Sun.”
What comes out of this first line? That there is a second Sun, whatever that
means. That somebody’s not happy about
it. Makes you wonder why some are not
happy. A certain amount of conflict and
intrigue is implied here. Perhaps this
is not the best first line ever created but it points in the right
direction. It makes you want to know
more.
How do you go about hooking or intriguing your
reader or generating questions in the reader’s mind? You want the reader to ask these questions
about what he’s reading:
- What do I have to do to get my questions answered? You have to read on.
- Why should I care? (this involves creating empathy for your character)
- What do I gain from going on? Satisfying curiosity, validating or proving out my suspicions, seeing how the character gains his goal or gets his comeuppance.
Spend some time or thought on your first line or
paragraph. What intrigues you? Try it out on your reader.
As in life, so it is in storytelling. You only get one shot to make a first
impression. Make it a memorable one.
The next post to The
Word Shed comes on February 10. In
this post, I’ll look at some idea for how writers create memorable characters
that readers can empathize with.
See you then.
Phil B.
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