Sunday, October 29, 2017


Post #98 October 30, 2017

“Excerpt from The Farpool: Exodus

On October 17, I will be starting the first draft of my next sf novel, with the title as shown above.  This story is a sequel to The Farpool: Marauders of Seome and the third in The Farpool series. 

With any luck, I should be done with this in March or April 2018 and be able to upload to Smashwords.com around that time.  Stay tuned.

I stuck an excerpt of this story at the end of Farpool: Marauders, which I reprint below, as a way of priming the pump, so to speak, for dedicated readers. 

Here’s the excerpt:

Chapter 1

Earth

The Atlantic Ocean, near Bermuda

May 1, 2115

After the detonation, no one detected the small fleet of Coethi jumpships quietly withdrawing from the Sigma Albeth B system, having let loose a final volley of starballs, which had impacted the sun and initiated the deadly sequence of events.

Several hundred thousand Seomish, from all kels, had managed to emigrate through the Farpool to Urku…to Earth.  Twenty million others had died in the End Times…the great ak’loosh.  The Farpool had been destroyed…for now.  The Time Twister, originally built and operated by the Umans of the First Time Displacement Battery, had now been destroyed, as had the wavemaker the Seomish had constructed from Uman schematics, to keep the Farpool going, to keep an escape route open for the doomed world of Seome.  To re-create the Farpool now, another Time Twister would have to be built.

The emigrants (known among themselves as tu’kelke) had mostly traveled in lifeships and modified kip’ts to 22nd century Earth.  However, some of the immigrants did not have proper control of their lifeships and wound up on Earth in different time periods…mid-20th century Earth, 16-century Earth, 28th century Earth and one small group in the Cretaceous period of Earth, just before the big asteroid Chicxulub struck, dooming the dinosaurs.  None of these tu’kelke had any way of communicating with each other, or traveling, since the Farpool was gone.

In a small cave near the growing encampment of the tu’kelke at the Muir seamounts, Chase Meyer (still em’took-modified) found a familiar face in the form of Tulcheah li, half-Omtorish, half-Ponkti, working with other members of her em’kel to unpack pods and cases and make some kind of home in the dim warren of caves.  They were glad to see each other and they embraced hard, first in the Uman way, then as Seomish, though Chase was only a halfling.  Chase then invited Tulcheah out for a roam about the settlement.

“They’re calling it Kee’nomsh’pont,” Tulcheah was saying.  “Kind of like ‘Little Omsh’pont’.”  It had been named for the great capital city of the Omtorish, nearly destroyed long ago in a Ponkti assault.

The base of the seamount was a craggy broken land, pockmarked with caves, niches, folds, burrows and hollows, nearly four kilometers in circumference, blending into the broader Bermuda Platform, itself a flat-topped guyot thousands of feet above the abyssal plains of the seafloor.  Over every fold and crack at the base of the seamount, small knots of kelke had built shelter, drawing hundreds of sheets of fibrous netting over the openings, carving out small tunnels, channels, warrens and passageways right out of the volcanic tuff of the mountain.  The effect was to make the base of the Muir complex resemble a vast spiderweb or honeycomb of cells and caves.  

Tulcheah pulsed the vast heaving expanse of the refugee settlement, noting how frightening the trip through the Farpool had been.

“We just made it, eekoti Chase.  Our ship twisted and turned and shook and shuddered and we thought it would come apart.  It was awful.  Thank Great Shooki we were lucky.”

Chase could barely pulse for himself the extent of the congregation of Seomish immigrants—Omtorish, Ponkti, Eep’kostic, Skortish, Orketish—they were all crammed together, beak to tail, in the bosom of the sea mount and her surrounding hills. 

“Yeah, sometimes the Farpool is like that.  But I wonder: how many didn’t make it?”

At this, Tulcheah turned somber.  “Perhaps a number beyond counting, eekoti Chase.  It is written that when Shooki sends the great wave, the ak’loosh, many will die.”

They roamed in silence for a time, circling above the crude camps scattered about the seamount. 

Tulcheah spoke quietly, swishing her tail back and forth against downdraft currents coursing down from the upper reaches of the mountain.  “See how they’re are already gathering themselves into kels?  We haven’t even been here very long and the old divisions, the old conflicts, are returning.  Even in new waters, we fight.”

“I guess that’s to be expected.  It’s the same with my people.  By the way, we don’t call ourselves Tailless.  We call ourselves Humans.  Get used to it.”

At that, Tulcheah smirked and bumped him playfully.  “You’re both, eekoti Chase.  Human and Seomish.”

And it was true.  The thought of it made Chase both sad and proud at the same time.  If only Dad could see me now, he told himself.  His beach bum son has become a kind of intergalactic ambassador.

They soon ran into a school of Ponkti midlings, engaged in learning tuk moves and defenses from none other than Loptoheen himself.  Tuk was the martial dance and close-quarters combat discipline for which the Ponkti had long been reknown.  Loptoheen had been the acknowledged master of tuk for as long as anyone could remember.

Tulcheah and Chase stopped to watch but it was quickly clear that the Ponkti wanted to keep to themselves. 

Loptoheen growled at them.  “Be off, kelke!  There’s nothing here for you.  And stop stirring up the waters too…these students need to concentrate.”

Tulcheah, who was half-Ponkti, barked back at him.  Litorkel ge, old Loptoheen.  Calm waters to all of you.”  There was a twinkle in her eye and she tried to stifle a half smile.  “It won’t be long before your students give you a real thrashing.”

“Kah!” came Loptoheen’s reply.  The Ponkti school moved off and was soon lost in the chaos of the settlement below.

Tulcheah and Chase resumed their roam about Kee’nomsh’pont.  It was clear to both, though unspoken, that even in this strange and difficult new setting, the kels were organizing themselves into traditional water clans again.

Listening in to the chatter, they soon learned of the rumors of a great roam being organized by the Metahs of all the kels: Mokleeoh, Lektereenah, Okeemah and Kolandra…a roam for the purpose of settling disputes and setting conditions for how the new settlement would operate.  Already big crowds had started to gather near the edge of the settlement, anticipating the start of the vish’tu.

“We should grab a spot, eekoti Chase.  Get in position, near the front.  The best spots will be gone quickly.”

Chase had other ideas.  “Tulcheah, it’s not leaving for a day.  Maybe more.  Besides, I think I know a place on the other side of the mountain.”

“A place?”

“Where we can be alone.  You taught me that, you slut.  There’s more to roaming than just seeing the sights.”

“I thought you came by to learn how the rest of the Ponkti are getting along.”  She stopped, picked up an old scentbulb somebody had left behind and sniffed experimentally.

“That’s not why I came.”

“I know why you came…it’s written all over your insides.  A blind tillet could see it halfway around the world.  What makes you think I’m in the mood?”  Tulcheah held up the scentbulb and let its odors drift out.

“For the love of Shooki…that thing smells like a seamother herd…what is that stuff?”

Tulcheah sniffed indignantly at the bulb.  “Home, eekoti Chase.  This is all we have left…of home.”

“I’ve got something better than an old bulb,” he told her.  Chase swam up close and bumped her.  “Look, I’ve got to get back to Tamarek’s place…how about we—“

But she put a hand to his mouth, fondling his lips, the way she always did.  Eekoti Chase, you never change.  Come with me, o’ great and famous traveler.  I’ll show you things you never imagined—“And she slapped her tail at him, disappearing into a small cleft in a nearby space, a narrow fold in the rock, draped with torn shreds of fabric and fiber.  It was dark inside, but the scents were strong.  Chase followed.

 From somewhere out of the dark, Tulcheah spoke.  “Do all eekoti look so ugly as you?”

“Hey, this was some kind of surgery, remember…you know, to let me live in your world better.  Normally, I’m just a stud.”

Tulcheah laughed at that.  She nuzzled up under Chase’s chin with her beak.  “You have funny words, eekoti Chase.  You know about Ke’shoo and Ke’lee?”

As she bumped him again and rubbed herself along his side scales, Chase said, “Love and life…I think I understand it.  You like to have a good time.”

Tulcheah pulled up and stared into Chase’s eyes.  She had black button eyes, and they gleamed in the faint light.  “You pulse anxious…no need for that.  Just relax…these threads look like old man Terpy’t’s.”  She smiled.  “I’ve got an idea…here, I’ll show you.  Take this knot in your mouth—“  She gave Chase an end of the thread. 

Chase stuffed the filaments in his mouth.  It tasted like rope.  “Like this?—“he mumbled.

“Hold on to it and pull.  Follow me… I’ll guide you.”  Tulcheah took one arm and together, the two of them swooped up and down the hold, spinning and weaving denser strands of the frayed web, back and forth.  It was erotic and sensuous, all the more so as Tulceah rubbed herself against his sides with each cycle. 

Blast this scaly skin…I’m getting turned on…can’t feel what I

The mat of fiber grew thicker as they made turn after turn. 

Tulcheah asked, “Where is the other eekoti?  Female is this one?”

Chase was in a heavenly daze and had to shake himself to clarity.  “Huh, oh…Angie?  Yeah, female.  A girl.  My girlfriend…yeah.”

“And where is this eekoti Angie?”

“Right now, I really don’t know.  I need to find her.  Back at Scotland Beach, I imagine.”

By some unseen signal, Tulcheah stopped the spinning and hovered on one side of Chase.  She nosed up and down his body with her beaks, clearly looking for something, poking, probing, sniffing.

Then she stopped, looked up into Chase’s eyes.  “I’m not familiar with this em’took…where is the ket’shoo’ge?”

“The what?”

Tulcheah laughed.  “All of us have ket’shoo’ge…how do you translate this?…little lover…maybe, small…em’too… love hold?”

“Hey, mine isn’t that small, if you’re asking.  Hell, if I know…this skin is so scaly…I don’t really know where—“ 

Then Tulcheah found it.

Later, after they had coupled, Chase remembered seeing something on Nat Geo, a vid or something, about how fish had sex.  Many females just ejected eggs into the water.  The males ejected sperm.  The eggs got fertilized…end of story.  But some marine animals had specialized organs called claspers.  That’s when things got interesting.

Tulcheah had found Chase’s claspers.   The Omtorish, in their infinite wisdom, had designed the em’took procedure so that the Lizard Man that Chase had become would have claspers. 

And it was clear that Tulcheah knew what to do with claspers.

When Chase and Angie made love, the best time for Chase was in the little fishing boat in Half Moon Cove.  You had to have lots of blankets to make a soft landing.  It was awkward at times…you had to be clever and inventive on how to use the space—but when the boat was rocking in the swells and you had the right rhythm…it was …really awesome!

That’s what Tulcheah did to Chase.

Chase found his claspers exquisitely sensitive.  The two of them formed one body and drifted softly about the tiny hold, occasionally getting entangled in the webs, tearing them, pulling them apart.

Terpy’t won’t like that, someone hissed.  More giggles and laughter.  And bubbles.  Lots of bubbles.  Bubbles and claspers…that was the key.

Chase was in heaven.

So they glided and undulated and rolled and bubbled and poked and tickled and rubbed and squeezed and Chase thought he was going to die, the feeling was so intense.  Thank God for em’took! he told himself. It was the first time he was really glad he looked like a giant frog.  Those wacky Omtorish really did know what they were doing.

They had been quiet, dozing for a time, when Chase thought he heard a strange noise, just outside the hold…a sort, of whirring, faintly whooshing noise.  Tulcheah was still, drifting asleep about the hold, so he gently untangled himself and pushed toward the opening. 

He was so startled at what he saw that he cried out:  What the--!”

There, just beyond the opening, was a big eye.  No, that wasn’t it.  It was a face, grinning, leering at him with huge white teeth…it whirred and hummed and that’s when Chase realized he was staring right into the camera of a small submarine.  The face was a paint job…someone’s idea of a joke, with its gaping mouth and outsized teeth, it looked like a great white shark painted right onto the nose of the sub.

The thing was maybe five feet in length, with stubby wings and spinning props at the end, a semi-transparent nose, festooned with all kinds of gear, including what were obviously cameras and imagers. 

“Tulcheah!  Tulcheah…get up…wake up!”

He felt more than heard the scramble of a thrashing body behind him as the female collided with his back.  He could feel her breath on his neck, hovering just behind, shaking.

“What is this, eekoti Chase?  A Tailless monster?”

Chase just glared back at the hovering intruder.  “I don’t know…it’s some kind of sub….”  That when he noticed a logo and some reddish script-style writing on the side of the sub.  He spelled it out under his breath:

 

W-O-O-D-S   H-O-L-E   O-C-E-A-N-O-G-R-A-P-H-I-C   I-N-S-T-I-T-U-T-E

 

Chase swallowed hard.  The U.S. Navy already knew about the growing presence of the Seomish in the Atlantic.  It had been a closely held military secret for months.

Now it seemed that others would soon know as well. 

“Tulcheah, I don’t know how to tell you this…but I think they watched everything we just did—"

 

So, that’s the excerpt.  I hope you find it intriguing enough to stay tuned for the full story.  I’ll be giving The Word Shed regular progress reports on how it’s coming, as well as my other writing projects.

The next post to The Word Shed comes on November 6, 2017.

See you then.

Phil B.

 

Sunday, October 22, 2017


Excerpt from “In Plutonian Seas”

A few weeks ago, I completed a new sf short story.  It’s called “In Plutonian Seas.”  As is my normal practice, I will be submitting this story to a variety of print SF markets, rather than making it available (at least initially) online.  That process has already started and if I manage to make a sale, I’ll let you know right away.

To prime the pump, here’s an excerpt from the story:

In Plutonian Seas

“It is better to conquer yourself than to win a hundred battles. Then the victory is yours.  It cannot be taken from you, not by angels or demons, nor heaven or hell.”

 Buddha

“For life and death are one, even as the river and the sea are one.”

                                                                                                            Khalil Gibran

Aboard FCS Trident

Pluto, Sputnik Planitia

Two hundred meters below the ice surface

June 15, 2144 (EUT)

0400 hours (local)

 

Alicia Yang Lifelogger File #30:

It was Marta Sepulveda’s idea to quarantine Commander Skellen in his quarters, for his own good.  And for ours.  It was hard but it was the right thing to do…even Marta the Bitch Goddess said if we didn’t, the skipper would be driving Trident right back to the Wreck again.

Nobody wanted that.

I’ve taken the liberty of downloading and synchronizing everybody’s lifelogger files for the last few days, so as to put together some kind of chronological report on what happened.  Win Blakely calls it CYA or a form of self-justification but we all have a responsibility to make factual reports during the mission.  If we don’t, Frontier Corps could easily send another unsuspecting crew right into the very same trap.

As it stands now, the vote is three to one, in favor of boring back through the ice, getting to the surface, somehow driving back to the lander and returning to orbit.  From down here, comms with Fort Apache in orbit are pretty spotty, so they don’t have a clue as to what we’ve run into here. 

I just hope they can figure out a way to treat us, all of us, before this thing, this infection or whatever it is, gets worse.

Here’s the first of the lifelogger files I patched together…

 

Joe Skellen Lifelogger File #27 (appended):

I was looking over some old maps and sea charts when the sonar contact alarm sounded.  Okay, so I like old maps.  The Corps psychs tried to convince me, after Trieste and Europa, that hanging out with old maps was symbolic of me wanting to run away from Kristen, from my boy Tyler and all that.  Can you believe that?  Really, I just happen to like old maps.

Trident had been cruising serenely at thirty knots, in level trim, when that first alarm sounded.  I guess I had dozed off because it startled me.

I realized as I startled myself awake that it was the sonar alarm.  Trident had detected something ahead, something big from the looks of it.  Auto-helm was engaged and she had already begun slowing.

I came fully awake and rubbed my eyes.  I studied the sonar plot.  Whatever it was, it was a large object, some ten thousand meters dead ahead.  

Probably a chunk of ice from the surface crust…broken off, I surmised.  From the nav console, I could see Trident had just about made her first waypoint coordinates, hundreds of meters below the ice at Sputnik Planitia.  I got on the intercom.

“STO 1 to the command deck…Marta, get up here to the command deck at once….”

I disengaged autohelm and took the controls myself, slowing the ship to a crawl.  I didn’t want to run Trident into something this big without studying it first.

Sepulveda’s head popped into the compartment a few moments later.

“What gives, Captain?”

“Take a look at the plot.”

Marta Sepulveda—our STO 1 and chief engineer-- slid into the second seat and studied the sonar return.  “What is it, Skipper…one of your shipwrecks?  Can we get a little closer?”

“We can try,” I said.  I ignored the jibe.  It’s no secret Marta and I don’t get along but that’s for later. 

Slowly, Trident closed on her target, dead ahead.   The subsurface ocean below Pluto’s ice surface was completely devoid of light, black as night.  But the returns from Trident’s sonar indicated that the object could be something worth investigating.

Marta studied the plot.  “Doesn’t look like ice to me…too convoluted.” 

Eventually, I brought us to a complete stop, five hundred meters away. 

We discussed our options.  Alicia came up too.  She’s an astroglaciologist and she said it didn’t look like ice to her either.  Both Doll-Face and the Bitch Goddess concurred.  “We need to check this out.  What about Uncle?”

“This is about as well as our sonar can resolve the target,” I agreed.  “From the returns, it seems to be a large platform, with some kind of structures on top.  I’m getting faint returns around the main one, too, smaller objects of some type.  Get Uncle ready, both of them.  Win can help you.  And Alicia, get back to the galley and get me some of that amunofen…I’ve got a splitting headache.”

Marta disappeared into the main gangway and headed aft to G deck.  That’s where we kept Uncle One and Two…our little robotic ships that often did initial recon on objects and sites of interest.  Alicia came back a few moments later. 

“You too, Skipper?  My skull’s been about to crack all morning.”  We both washed down several pills and concentrated on getting the feed from Uncle. 

As soon Marta called up and said the drones were ready, I started inching us forward, cranking up our spot and floodlights, trying to bring as much illumination to bear on the targets as possible.  It was like shining headlights through a dense fog.

“Launching Uncle One and Two, “came Marta’s voice.  Presently, the murmur of their jets could be heard nearby.

“Got ‘em,” Alicia said.  “I have full control…both bots…steering straight ahead…you want sonar, Skipper?”

“Sound away,” I said.  “I’ve got nothing but scrambled eggs on my scope.”

 “I’m calling up Uncle One,” I told everybody.  By now, even Win Blakely had come up to the command center.  “Let’s see what the drones can find out.”  I pressed a few keys on my wristpad and the underwater bots surged forward, their jets whirring gently.  They both plunged into the murk and were soon lost to view.  Blakely patched in to the bot’s sensors.  Soon, the whole team was getting sonar, EM and visuals back from Uncle One.

What we saw made my throat go dry.

It was some kind of shipwreck.  No one could deny that.  In fact, it looked like a smashed-up, crumpled version of Trident herself.  You could see the borer lens up front…it looked like a broken dinner plate.  And the rest of the ship—you could only call it a ship—was broken into a misshapen hulk.  Treads along her hull had mostly come untracked.  Her stern pod was stove in like a beer can.  The hull had been breached in several places, like some kind of flooding casualty, like--

What the—” said Marta.

“It’s a ship…like us--? Blakely muttered.  “I don’t—”

“Hey, just keep it down, will you?” I warned everybody.  “Everybody stay cool.”  Even as I said it, I could feel my own heart jackhammering in my chest.  And my head was about to split in two.”

Maybe I should pause here—  unintelligible noises in the background—okay…that’s better.  Looks like we lost Uncle Two…Win’s checking to see what happened but One’s still with us.  At this point, Alicia and Marta started arguing about our mission and I had to tell them to pipe down.  The mission parameters were simple enough to list…we all know ‘em by heart: land on Pluto at Sputnik Planitia and bore through the ice layer, penetrate subsurface ocean and conduct cruise science ops for ten Earth days, take samples, measure gross ocean properties, map currents, temperature profiles, chemical, salinity, brine…all that stuff.  Then we return safely to the surface.  Return to orbit and dock with Fort Apache.  Transmit all the raw data and experimental results on high-band to UNISPACE Gateway Station at Earth-Moon L2. 

That’s it.  It was after I had recited all that to Marta, Alicia and Win for about the millionth time that Marta pointed out something on Uncle One’s vid.  I looked.  It was some kind of lettering along the side of the sunken ship’s hull.  When I realized what it said—it was partly obscured by some kind of barnacle-like growth—my blood ran cold and my heart skipped about ten beats. 

T-R-I-E S-T-E.  Trieste.  The submersible I had nearly died in on the Europa Explorer mission in ’43. 

No way.  It couldn’t be—

-----

So that’s the excerpt.  This story is one that had been gnawing at me for several years so I finally got it down as a short story of about 10,000 words.  If this excerpt intrigues you, stay tuned for progress reports.

The next post to The Word Shed comes on October 30.  In this post, I’ll give you an update on my next book in the Farpool series, entitled The Farpool: Exodus.  By the way, my last uploaded book, The Farpool: Marauders of Seome, is doing pretty well online.  As of this writing (October 11), Smashwords is showing 173 downloads. 

See you October 30.

Phil B.

 

Sunday, October 15, 2017


“The Fine Art of Writing Effective Book Descriptions”

If you ever post an ebook to Smashwords, you’ll be asked to write both a long and a short book description.  In effect, you’re writing a digital equivalent of jacket copy, something a browsing reader can take in at a glance and, along with an eye-catching cover, make a decision to download.  Thus writing an effective book description is critical to grabbing a browsing reader and pulling them in.  Book descriptions, especially the short ones, aren’t easy but they’re necessary and hugely important to your success as an indie (or any other type of) writer.

The opening book in my series Tales of the Quantum Corps is entitled Johnny Winger and the Serengeti Factor.  Nearly a thousand downloads have been done of this title.  Below is the long description originally uploaded to Smashwords:

Your buddy is a nanoscale robot named ANAD.  Your enemy is a programmable virus named Serengeti.  The Red Hammer cartel has created an addictive antidote to a man-made pandemic.  Looks like Quantum Corps has its hands full again.  Lieutenant John Winger leads his beleaguered nanotroopers into combat, on battlefields across the globe and inside the world of atoms and molecules.  First episode in the Tales of the Quantum Corps. 

Not too bad.  The purpose of any kind of description like this is to grab the reader’s attention, to intrigue the reader into learning more, maybe even to provoke the reader into thinking: “I should find out what this is about.  It may be important to me or it may be really entertaining.”   The long description above puts the reader right in the middle of the story immediately, gives you a serious problem and provides a path for resolving this problem, if only you’ll look a little closer.  You have a buddy.  You have an enemy.  You have a problem and you have a potential solution.  Moreover these elements aren’t what you’d necessarily expect…I mean, really, do you have any buddies who are a billionth of a meter tall?  What’s this all about?

Now look at the short book description:

First episode in the Tales of the Quantum Corps.  Lieutenant Johnny Winger leads his troopers into battle...but his troopers are robots the size of atoms.  How do you train and discipline soldiers like that?  Winger fights off an intelligent virus created by the Red Hammer cartel.  He has to learn new ways to command...and fast.

One thing to note is that Smashwords, and most platforms or publishers, enforces a word limit on your short description.  The limit is 400 words.  In about two or three sentences, you have to capture the essence of your story in such a way as to immediately grab a reader and yank him in.  Browsing readers have limited time and attention spans.  To grab the reader’s attention, you’ve got two things to work with: your cover and your short description.  That’s what the reader sees first.  Think first impressions matter?   Every reader on this planet judges a book by its cover…and its description.  If they’re not intrigued, they move on and you’ve lost a sale or a download. 

Let’s unpack my short description above.  You’ve got a name and a brief few words on what the book is about.  You’ve got a battle.  You’ve got soldiers, but they’re the size of atoms.  You’ve got a command problem: how do you train soldiers the size of atoms?  And you’ve got an adversary and thus a reason for needing to do this training.  The last sentence implies there is some kind of time limit or urgency to the whole affair. 

Good short descriptions are vital, even critical, to your success as an ebook author.  These descriptions should snag the reader—Hey!  Look at me…I’m different…pay attention to me!—and give them just a notion of why they should look closer.  If you do your work properly here, the reader can then delve more deeply into the title and read more…the digital equivalent of flipping through the pages or perusing the table of contents. 

One dictionary defines intrigue as a covert or underhanded scheme.  I think that’s accurate.  You’re trying to get past the reader’s natural defenses, his natural skepticism about something being a waste of time.  Readers don’t like to have their time wasted.  They’ve got shields up and it’s up to you as a book promoter to find a way to get past them.  A good book description will reach through those shields and connect with something that tells the reader: “Hey…pay attention…this could be important…or useful…or entertaining.”

Take care with your book descriptions.  Spend time on them.  A good one will pay dividends for a long time. 

The next post to The Word Shed comes on October 23.

See you then.

Phil B.

Sunday, October 8, 2017


“Where Do You Get All Those Crazy Ideas?”

Every writer has been asked this question from time to time.  Usually, the asker expects something like “Oh, I have a big idea machine in my closet.  When I need a new idea, I just spin it up and it spits out what I need.” Would that it was so.

Ideas for stories come from everywhere…that’s what I tell people.  In fact, when thinking about this, I was able to identify several broad categories of sources for story ideas. 

  1. Ideas can come from living, from life itself.   We all watch the news, email and blog and talk with each other, observe what’s going in and are daily bombarded by life.  Our senses are flooded with sensations from waking up to drifting off to sleep.  Mix in some sensory inputs, stir in a few memories and add a spice of cogitation and thought, and voila!  Ideas.  Many times, if your mind has been wrestling with a story for a while, the idea will pop out unbidden, while you’re washing the dishes, posting to Facebook, taking out the trash, or in my case, swimming laps in the local pool.  Louis Pasteur once said ‘Chance favors the prepared mind.’  To prepare your mind to receive ideas that are relevant to what you’re interested in, immerse yourself in the subject or the details.   Live with it.  Dream about it.  Wrestle with it.  Ideas will come.
  2. Ideas can come from other stories.  In my short fiction collection Colliding Galaxies (available from Smashwords.com), there is a story entitled Designs.  I originally wrote this story in summer of 1979.  I had submitted the story around to a variety of markets and then I got one refusal that was interesting…it was from the old Omni magazine.  The editor said the piece wasn’t quite right for them but he liked the writing and suggested I had the makings of a pretty good novel.  Eventually the story wound up in my collection cited above but now I am seriously planning to expand this story into a full-length novel in the next few years.  The idea has stayed with me for all this time and it still won’t go away.  The story is about a far-future architect.  What would architects of the 24th century build? Not just buildings and cities, but whole worlds.  This idea came from a story I did a long time ago and it still intrigues me enough to do some basic story planning for the not-too-distant future. 
     
    Just to belabor the point, British sf author Stephen Baxter has just published a novel entitled The Massacre of Mankind.  In this story, as I understand the reviews, Baxter has taken H.G. Wells’ story War of the Worlds and done a sequel, set maybe ten years later, with more characters, a more involved story and some surprising plot twists. 
     
    Writers beg, borrow, steal, filch, purloin and appropriate each other’s ideas all the time.  It goes with the territory.   Don’t think twice about it.  But do check the copywrite dates. 
     
  3. Ideas can come from questions.   My most recent sf novels, The Farpool and The Farpool: Marauders of Seome, both come from a novel I wrote in the early 80’s called The Shores of Seome.  I was intrigued from the beginning with what kind of intelligent civilization might develop as a completely marine, underwater civilization.  I asked questions:  What would their lives be like?  What kind of technology would they develop?  What would they believe in?  What would they enjoy and what would they dislike?  I asked a million questions, played years of what-if? And out of these questions came two novels and plans for more, in a series.  The world of science fiction is the what-if genre beyond all others. 
     
    What if an intelligent monolith appeared before a tribe of ancient hominids?  Sir Arthur C. Clarke asked this and produced 2001: A Space Odyssey as one answer (from his original short story The Sentinel).   
     
    What if a mentally challenged man were given an unproven drug that could enhance his mind and boost his IQ?  Daniel Keyes asked this and gave us Flowers for Algernon.
     
    What if young men were trained as soldiers and sent off to war against some kind of malevolent alien enemy?  Robert Heinlein asked this and gave us Starship Troopers. 
     
    Ideas for stories are like molecules of oxygen in the atmosphere.  They’re everywhere, all around us, available to be breathed in and converted into tales that can ennoble and entertain us.  You just have to keep breathing and take everything in, then sift and sort until the right one comes out.
     
    Live your life, read a lot, ask questions and observe and note everything.  That’s how you get ideas for stories. 
     
    The next post to The Word Shed comes on October 16.  In this post, I’ll tackle the art of writing book descriptions, encapsulating the story in a few well-chosen sentences. 
     
    See you then.
     
    Phil B.

Monday, October 2, 2017


“Update on Downloads: Marauders are Coming”

I’ve just finished the first draft of the second title in my Farpool series, entitled The Farpool: Marauders of Seome.  After some editing and cleaning up the story, this title is now available for download at Smashwords.com and other fine ebook retailers.  Look for it.  Marauders are coming.

In this post, I will provide another of my occasional updates on the level of downloads I have been seeing across all titles.  Here are the facts:

 
Title
Week starting
8-7-17
Week Starting
8-14-17
Week Starting
8-21-17
Week  Starting 9-5-17
Week Starting
9-11-17
Week Starting
9-18-17
1
JW & the Serengeti Factor
940
943
950
957
959
962
2
JW & the Amazon Vector
724
727
733
739
740
743
3
JW & the Hellas Enigma
687
690
694
699
699
703
4
JW & the Golden Horde
620
623
627
632
632
635
5
JW & the Great Rift Zone
627
632
635
638
639
642
6
JW & the Europa Quandary
585
588
591
594
594
599
7
Final Victory
104
104
104
111
111
112
8
The Eyeball Conspiracy
153
153
153
153
153
161
9
The Peking Incident
174
174
174
174
181
182
10
Root Magic
88
88
88
88
95
96
11
Nanotroopers Episode 1
618
619
619
620
621
622
12
Nanotroopers Episode 2
497
498
498
499
499
500
13
Nanotroopers
Episode 3
400
401
401
402
402
403
14
Nanotroopers
Episode 4
370
371
371
372
372
373
15
Nanotroopers
Episode 5
345
346
346
347
347
348
16
Nanotroopers
Episode 6
312
313
313
314
314
315
17
Nanotroopers
Episode 7
298
299
299
300
300
301
18
Nanotroopers
Episode 8
264
265
265
266
266
267
19
The Farpool
657
657
659
661
662
663
20
Nanotroopers
Episode 9
226
227
227
229
229
230
21
Nanotroopers Episode 10
233
233
233
236
236
237
22
Nanotroopers
Episode 11
223
223
223
226
226
227
23
Nanotroopers Episode 12
199
199
199
202
202
203
24
Nanotroopers
Episode 13
193
193
193
195
195
197
25
Nanotroopers Episode 14
186
187
187
188
188
190
26
Nanotroopers
Episode 15
172
173
173
174
174
176
27
Nanotroopers
Episode 16
151
152
152
153
153
155
28
Nanotroopers Episode 17
168
169
169
170
170
172
29
Nanotroopers Episode 18
158
159
159
161
161
163
30
Nanotroopers Episode 19
157
159
160
161
161
163
31
Nanotroopers Episode 20
146
148
148
149
149
151
32
Nanotroopers Episode 21
140
142
142
143
143
145
33
Nanotroopers
Episode 22
130
132
132
134
134
136
34
JW & the Battle at Caloris Basin
207
211
214
218
219
225
35
Colliding Galaxies
292
303
315
326
332
337
 
TOTALS
11444
11501
11546
11631
11658
11734

 

Several points should be emphasized about this data.  For starters, over the latest three weeks, the increase week to week on total downloads has been 60, 27, 76 for an average of 54 downloads per week.  From the first column to the last, a time interval of about five weeks, the total downloads change showed an increase of 290, for an average of about 58.  So, it’s fair to say downloads have been averaging over 50 per week for the last 5 weeks.

What does this mean?  It means to me that there are a steady albeit small increase in readers every week, as shown in statistics from Smashwords.  So that’s encouraging. But what’s really interesting is what has happened to items 8 and 10.  These were ebooks that had a price tag on them of about $1.99 to $2.99.  To see what would happen and to jazz up downloads a bit, I set items 7, 8, 9 and 10 to zero price.  Then I saw an immediate jump in downloads from one week to another for items 8 and 10.  Readers don’t mind taking a chance on a relative unknown when there’s no cost.  This was visible proof of that.

Also in recent weeks, I have modestly updated the covers of my series Tales of the Quantum Corps (Items 1-6, 34).  Each continues to show a steady although small increase in downloads every week.  I haven’t seen a huge spike in any of them, so I probably need to do more. 

Bit by laborious bit, I’m building a small audience of readers.  There are even some who have my name on email notification so they’ll know when I upload something new.  

Which leads me to The Farpool: Marauders of Seome.  This is a sequel to The Farpool, itself already showing over 660 downloads after slightly more than a year.  This title uploaded to Smashwords a few weeks ago.  And there are more stories in the series coming.  In fact, at the end of Marauders, there will be an excerpt from the story following it, called The Farpool: Exodus.  

See you on October 9.

Phil B.